people
individuals
The work of individuals and their understanding of themselves as a supportive collective are central to the emergence and success of the Reggae Revival, as my research reveals.
The personal relationships and collaborations of the artistes with each other, as well as with individual producers and promoters, allow the Reggae Revival to be perceived as a movement that is not focused on a single „Marley“. The result is a relatively close circle of individuals who, with their own sound, common contents, messages and strategies, have created a musical movement that has made its mark internationally and is perceived as such.
The action of several individuals as a collective and the presence of a common vision instead of egoistic action is crucial here. In this way, the necessary resources can be drawn from the movement itself.
discography
The artistes who are counted as part of the Reggae Revival released most of their music as albums or EPs instead of singles, as is often the case in Reggae. In addition, they are hardly to be heard on samplers with so-called juggling riddims and if then on riddims that were almost only voiced by Reggae Revival artistes (e.g. „Militancy Riddim„, „Rootsman Riddim„).Thus, a certain exclusivity is maintained to the extent that songs of the individual artistes can only be found on their own album productions.
Here you can find a chronologically ordered gallery with the most popular albums of the Reggae Revival. Nevertheless, a lot of singles appeared between these productions:

Don Corleon Records

Bebble Rock Records Ltd

Don Corleon Records

Bebble Rock Records Ltd

Chronixx Music Group

Overstand Entertainment, Baco Records, In.Digg.Nation Collective



Easy Star Records

Soul Circle Music, Virgin EMI Records

Ghetto Youths International, Bebble Rock Music

Overstand Entertainment, Mr. Bongo, In.Digg.Nation Collective

In.Digg.Nation Collective, RCA Records

Columbia

In.Digg.Nation Collective, RCA

Sony